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	<title>ONA09 &#187; Anna Bloom</title>
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	<description>2009 Online News Association Conference, San Francisco</description>
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		<title>OJA winners a memorable group</title>
		<link>http://conference.journalists.org/2009conference/2009/10/04/oja-winners-announced/</link>
		<comments>http://conference.journalists.org/2009conference/2009/10/04/oja-winners-announced/#comments</comments>
		<pubDate>Sun, 04 Oct 2009 04:56:18 +0000</pubDate>
		<dc:creator>Anna Bloom</dc:creator>
				<category><![CDATA[Top Story]]></category>
		<category><![CDATA[OJA]]></category>
		<category><![CDATA[ONA]]></category>
		<category><![CDATA[ONA awards]]></category>
		<category><![CDATA[ONA09]]></category>

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		<description><![CDATA[Online Journalism Award winners this year will get a new kind of immortality. They will be enshrined in a new exhibit at the Newseum in Washington, D.C. Pictured at left are Altyn Magauina and a jubilant Yedige Magauin, as they accept the award for General Excellence Non-English, small site, for Radio Azattyq. View a photo gallery with the story.]]></description>
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<p>By Anna Bloom</p>
<p>Online Journalism Award (OJA) winners this year won&#8217;t soon be forgotten. In between an exhibit of Pulitzer prize-winning photography and drawers of newspapers dating back to the assassination of Abraham Lincoln, many of 2009&#8242;s innovators and their projects will be welcomed into the Newseum on Pennsylvania Avenue in Washington D.C. The museum is archiving the winners as part of a new effort to preserve history in an era that is not naturally wired for nostalgia.</p>
<p>&#8220;The phrase has always been that journalism is the first draft of history,&#8221; said Thom Lieb, a professor of mass communication at Maryland&#8217;s Towson University. &#8220;Unfortunately, in the digital age, those drafts are disappearing.&#8221;</p>
<p>The 2009 OJA winners (<a href="/2009conference/2009/10/04/publish2-my-ballard-and-gotham-gazette-win-inaugural-ojas/">full list</a>) have a lot in common with their ancestors at the Newseum, said Lieb, who was instrumental in connecting the museum with ONA. Both the winners and their predecessors focused on local interests and independent journalism.</p>
<p>For example,<a href="http://publish2.com/"> Publish 2</a>, which offers journalists a set of linking tools that foster collaboration between journalists and readers, received $5,000 as the first Gannett Foundation Award winner for technical innovation in the service of digital journalism. <a href="http://gothamgazette.com/">The Gotham Gazette</a>, a civic-minded resource for New York City, awarded a Creative Use Award in 2004 by OJA, was this year recognized again for its general excellence in the micro site category. Next Door Media’s <a href="http://www.myballard.com/">My Ballard</a>, a Seattle neighborhood site, was recognized as the first to receive a Community Collaboration Award.</p>
<p>“For all the neighborhood newsites, I think this is a respected stamp of approval for all the sites,” said Cory Bergman who accepted the award with Kate, his wife and co-founder of Next Door Media.</p>
<p>Among the other award-winners was <a href="http://www.chaunceybaileyproject.org/">The Chauncey Bailey Project</a>, an in-depth investigation by more than 24 journalists into the murder of an Oakland Post reporter. The project took home two awards, receiving $5,000 for the Knight Award for Public Service and OJA&#8217;s award for investigative journalism in the small site category. <a href="http://www.mcclatchydc.com/guantanamo/">Guantanamo: Beyond the Law</a>, by McClatchy journalists Tom Lasseter and Matt Schofield, was honored by ONA for investigative journalism for a large site. <a href="http://propublica.org/">ProPublica,</a> the <a href="http://www.lasvegassun.com">LasVegasSun.com</a>, and <a href="http://www.nytimes.com">The New York Times</a> were also honored, each receiving a $3,000 cash prize from the Gannett Foundation for general excellence.</p>
<p>Overseas winners included Kazakhstan&#8217;s <a href="http://www.azattyq.org/">Radio Azattyq, Radio Free Europe/Radio Liberty&#8217;s Kazakh Service</a> for the small-site category for standing in defense of citizen&#8217;s rights to seek and receive information when Kazakh authorities tried to ban a book critical of the president. Spain&#8217;s <a href="http://www.soitu.es/">soitu.es</a> won an OJA large site award for its focus on audience-focused engagement and its mix of original content and aggregated material.</p>
<p>For Breaking News, OJA awarded top honors to Pressconnects.com/Press &amp; Sun-Bulletin for its coverage of a <a href="http://www.pressconnects.com/section/acacontest?date=20090403">mass shooting</a>, the BBC News for its coverage of the <a href="http://news.bbc.co.uk/1/hi/world/south_asia/7752003.stm">Mumbai Attacks</a>, and Knoxnews.com for its coverage of a church shooting.</p>
<p>In the Specialty Site Journalism category, <a href="http://e360.yale.edu/">Yale Environment 360</a> was recognized for its melting pot of news, opinion and community engagement. The <a href="http://militarytimes.com/">Military Times</a> was recognized for its service to a community that lacks a geographic center.</p>
<p>The OJA Awards for Multimedia Feature Presentation went to the National Film Board of Canada for <a href="http://waterlife.nfb.ca/">Waterlife</a>, the LasVegasSun.com for <a href="http://www.lasvegassun.com/news/topics/water/">Quenching Las Vegas’ Thirst</a>, and Washington Post Digital for <a href="http://www.washingtonpost.com/wp-srv/nation/interactives/pentagonmemorial/victims/">Sacred Ground: The Building of the Pentagon Memorial.</a></p>
<p>The ONA Awards for Topical Reporting/Blogging went to The Flame Trench, Florida Today’s Space Team Blog and NPR.org’s <a href="http://www.npr.org/blogs/money/">Planet Money.</a> The ONA Awards for Online Commentary/Blogging went to Christopher Buckley of The Daily Beast and Hero Complex by the Los Angeles Times.</p>
<p><a href="http://news.muckety.com/">Muckety</a> and <a href="http://www.nytimes.com/interactive/2009/01/17/washington/20090117_ADDRESSES.html">The New York Times Interactive Graphics</a> won for Outstanding Use of Digital Technologies. In the student journalism category, awards were given to Lisa Pickoff-White, a graduate student at University of California, Berkeley for her project, <a href="http://pickoffwhite.com/movies/">It Happens at Midnight</a>, and to students at UNC-Chapel Hill for <a href="http://www.andamanrising.org/">Andaman Rising</a>. A special recognition was given to Doug Feaver of <a href="http://washingtonpost.com/" target="_blank">washingtonpost.com</a>, who received the Rich Jaroslovsky Award for lifetime service to ONA.</p>
<p>For Online Video Journalism, ONA gave awards to MediaStorm’s Danny Wilcox Frazier for <a href="http://mediastorm.org/0025.htm">Driftless: Stories from Iowa</a> and Slate V for <a href="http://www.slatev.com/powerrecap.html">The Power Recap</a>.</p>
<p>In the next year Lieb will begin the daunting task of hunting down award winners from the last 10 years, knowing that some projects, and their creators, might be impossible to find again. The BBC&#8217;s 24-Hours of War, a video project about wars throughout the world, for example, has a site, but the videos themselves are gone, says Lieb.</p>
<p>&#8220;It&#8217;s a project I&#8217;d love my students to see but it&#8217;s no longer available,&#8221; he said. &#8220;Someone leaves the OJA awards doing cartwheels and then they move on.&#8221;</p>
<p>This year, however, will be different. After the ceremony, Lieb interviewed the winners from <a href="http://news.muckety.com/">Muckety</a>, <a href="http://SOITU.ES/">soitu.es</a>, <a href="http://www.chaunceybaileyproject.org/">The Chauncey Bailey Project</a>, <a href="http://www.pressconnects.com/section/acacontest?date=20090403">Pressconnect.com</a>, <a href="http://news.bbc.co.uk/">BBC News</a>, <a href="http://www.npr.org">NPR</a> and <a href="http://www.myballard.com/">MyBallard</a> for the Newseum exhibit.</p>
<p><strong>Judges of 2009’s Online Journalism Awards</strong></p>
<ul>
<li><strong>Rosental Alves</strong>, Professor and Knight Chair in Journalism, University of Texas</li>
<li><strong>Rich Beckman</strong>, Knight Chair of Visual Journalism, School of Communication, University of Miami</li>
<li><strong>Paul Brannan</strong>, Editor, Emerging Platforms, BBC News</li>
<li><strong>Alberto Cairo,</strong> James H. Shumaker Assistant Professor, School of Journalism, UNC-Chapel Hill</li>
<li><strong>Stephen Engelberg, </strong>Managing Editor, ProPublica</li>
<li><strong>Rich Jaroslovsky, </strong>Technology/Digital Media Columnist, Bloomberg News</li>
<li><strong>Keith W. Jenkins, </strong>Supervising Senior Producer for Multimedia, NPR.org</li>
<li><strong>Tom Kennedy, </strong>Multimedia Journalism Consultant</li>
<li><strong>Katie King</strong>, Creative and Development Editor, MSN UK</li>
<li><strong>Solana Larsen</strong>, Managing Editor, Global Voices</li>
<li><strong>Suzanne Levinson</strong>, Director of Site Operations, Miami Herald Media Co.</li>
<li><strong>Michelle Nicolosi</strong>, Executive Producer, seattlepi.com</li>
<li><strong>Eric Scherer</strong>, Director of Strategic Planning, Agence-France Presse</li>
<li><strong>Tenny Tatusian</strong>, Associate Editor, latimes.com</li>
<li><strong>Matt Thompson</strong>, Interim Online Community Manager, Knight Foundation</li>
<li><strong>Molly Wood</strong>, Executive Editor, CNETTV.com</li>
</ul>
<p><em>The click-through slideshow was photographed by Armand Emamdjomeh and Nicole Fallek and photo edited by Isabel Esterman.</em></p>
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		<title>Text still rules</title>
		<link>http://conference.journalists.org/2009conference/2009/10/02/text-still-rules/</link>
		<comments>http://conference.journalists.org/2009conference/2009/10/02/text-still-rules/#comments</comments>
		<pubDate>Sat, 03 Oct 2009 02:40:51 +0000</pubDate>
		<dc:creator>Anna Bloom</dc:creator>
				<category><![CDATA[Conference Track: Front End]]></category>
		<category><![CDATA[metrics]]></category>
		<category><![CDATA[text]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[writing for the Web]]></category>

		<guid isPermaLink="false">http://conference.journalists.org/2009conference/?p=1468</guid>
		<description><![CDATA[By Anna Bloom and Martin Ricard
Words drive users of the Web, say the Internet's wordsmiths. Bury the words in dense paragraphs or between a maze of images and users will grow impatient and change course.]]></description>
			<content:encoded><![CDATA[<p>Text by Anna Bloom<br />
Video by Martin Ricard</p>
<p>Words drive users of the Web, say the Internet&#8217;s wordsmiths. Bury the words in dense paragraphs or between a maze of images and users will grow impatient and change course, continuing their quest for information elsewhere.</p>
<p><img class="alignright size-full wp-image-1633" title="final-final_new" src="http://conference.journalists.org/2009conference/wp-content/uploads/2009/10/final-final_new.jpg" alt="final-final_new" width="386" height="232" />&#8220;Think of your Web audience as lazy, selfish and ruthless,&#8221; said Michael Gold, <a title="West Gold Editorial" href="http://www.westgoldeditorial.com/" target="_blank">West Gold Editorial</a> principal. &#8220;Web audiences are on a mission—they&#8217;re task-oriented.&#8221;</p>
<p>Gold was one of four speakers headlining &#8220;Yep, Text Still Matters,&#8221; an ONA09 discussion devoted to the craft of writing for the web.</p>
<p><strong>Get Over Your Print Past</strong></p>
<p>Writing for the Internet requires a <strong>clear, concise </strong>style with lots of <strong>sub headlines</strong> and <strong>bullet points</strong> and highlighting of key terms, said the panelists.</p>
<p>Gold, who began his career in print, was unsentimental about shaking the ways of newspapers and magazines.</p>
<p>&#8220;Get over it,&#8221; he told the audience. &#8220;You have to leave go of all the artifacts of print and move on.&#8221;</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="580" height="429" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=6877117&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="580" height="429" src="http://vimeo.com/moogaloop.swf?clip_id=6877117&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><a href="http://vimeo.com/6877117">Text matters on the Web</a> from <a href="http://vimeo.com/user1119244">Martin Ricard</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><a href="http://vimeo.com/6875698">Text still matters on the Web</a> from <a href="http://vimeo.com/user2159705">Online News Association</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><strong>The F Shape</strong></p>
<p>If Internet users can&#8217;t find what they&#8217;re looking for, they will move on, said panelist Hoa Loranger, director of <a title="Nielsen Norman Group" href="http://www.nngroup.com/" target="_blank">Nielsen Norman Group</a> and author of &#8220;Prioritizing Web Usability.&#8221;</p>
<p>Users spend, on average, 25 seconds on a home page and only 47 seconds on secondary pages, according to her studies. This means writers and designers need to make a huge impact on a user immediately. &#8221;The first two words, the first two paragraphs, the first twos of things are very important for the Web,&#8221; Loranger said.</p>
<p>By way of example, Loranger directed the room&#8217;s attention to heat maps that tracked the gaze of an average user on a site. Large blobs of red peppered the map at the beginnings of paragraphs, then smaller dots marked up the rest in an &#8220;F&#8221; formation.</p>
<p>Subconsciously, people will skip the items they aren&#8217;t looking for and this often includes <strong>pictures</strong> that might look like glossy advertisements. Pictures can often become an obstacle course to the information a user is seeking, Loranger said. People tend to focus on words.</p>
<p><strong>Take Out the Scalpel</strong></p>
<p><strong><span style="font-weight: normal; ">But a wall of text is not the answer, the panelists said. Web writers need to use proper &#8220;Web format technique&#8221; to increase visibility, they said.</span></strong></p>
<p>&#8220;More clarity and more engagement? Shouldn’t we be doing that anyway?&#8221; Gold said. &#8220;Think of writing for the human searchers.&#8221;</p>
<p>Gold presented before and after makeovers of articles posted on CooksIllustrated.com and nytimes.com to illustrate how to &#8220;webify&#8221; content to make it <strong>scanner-friendly.</strong> In Gold’s versions, the information remained the same, but shorter with bullet points and subheads. Images were also demoted from the top of the page to the bottom.</p>
<p>&#8220;Take out that editor scalpel and make it shorter,&#8221; he said. &#8220;That&#8217;s life or death stuff.&#8221;</p>
<p><strong>A New Guide</strong></p>
<p>Yahoo! Senior Editorial Director Christopher Barr echoed Gold&#8217;s remarks, adding a number of technical rules of his own.</p>
<ul>
<li>The word &#8220;email&#8221; should contain no dash (unless you follow Associated Press style, which uses &#8220;e-mail&#8221;)</li>
<li>Eliminate &#8220;always&#8221; and &#8220;of the.”</li>
<li>Front-load headlines and avoid puns &#8220;like the plague.&#8221;</li>
</ul>
<p>Bar has codified these guidelines and more for his own Strunk and White for the Web. Due next summer, he reports it will contain 139,000 words.</p>
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